Ezrena Marwan is the founder of Malaysia Design Archive, a digital platform that aims to give context to the history of graphic design in Malaysia. Through this platform she encourages discourse on the role of graphic design in nation building and national identity. She is also the convener of Perempuan Pereka, a collective for women designers in Malaysia & Indonesia, as well as co-founder of Sejarah Wanita, an archive of women’s history. Ezrena is a graphic designer passionate about women’s rights, history and design. She upholds the 1964 Design Manifesto that calls for “a reversal of consumerism and profit driven priorities in favor of more useful, lasting and democratic forms of communications”.
Jac sm Kee is a feminist activist, writer, researcher as well as the founder of Malaysia Design Archive. She is also a co-Director for the Centre for Independent Journalism, Malaysia, a non-profit organisation working on issues of media freedom and the right to freedom of expression and information towards a just, free and democratic society. She is the Manager of the Association for Progressive Communications, Women’s Rights Programme, a global civil society networked organisation advocating for free and open access to the internet towards social justice, gender equality and fundamental human rights. She was a selected winner of the Stieg Larsson Prize 2016 “for her struggle for women’s right to a free online environment and for an open and equal information society based on the potential of the internet.”
Simon Soon is a researcher and Senior Lecturer in the Visual Art Department of the Cultural Centre, University of Malaya. Simon joined Malaysia Design Archive in 2016. He completed a Ph.D. in Art History at the University of Sydney under an Australian Postgraduate Award scholarship. His thesis ‘What is Left of Art?’ investigates the spatial-visual cultures at the intersection between left-leaning politicised art movements and the emergent modern publics of Indonesia, Singapore, Thailand and the Philippines from 1950s–1970s. His broader areas of interest include comparative modernities in art, urban histories, history of photography and art historiography. He has written on various topics related to 20th-century art across Asia and occasionally curates exhibitions, most recently Love Me in My Batik: Modern Batik Art from Malaysia and Beyond. He is also co-editor of Narratives of Malaysian Art Vol. 4. From 2015–16, he is a participant in the Power Institute’s ‘Ambitious Alignments: New Histories of Southeast Asian Art’, funded by Getty Foundation’s ‘Connecting Art Histories’ initiative. He is also an editorial member of SOUTHEAST OF NOW: Directions in Contemporary and Modern Art, a peer-review journal published by NUS Press.
Dill Malik is a researcher / archivist at MDA. After finishing her internship at the Annexe Gallery, she has worked with House of Matahati (HOM), ARTeri and RogueArt. In the day time, she works as a UX/UI developer, gaining experience at Media Prima Digital, BBDLabs and Digi-X. She loves history, user experience design and ginger kittens.
Kevin Chan is a freelance web / graphic designer focusing his practice on arts and cultural projects. His interest in art history and visual culture lead him to pursue a Masters degree in Visual Art in University of Malaya, researching on Japanese visual propaganda materials during the occupation of Malaya and their alignment with the Greater East Asia Co-Prosperity Sphere ideology.